The Redlands Palomino Company Tour Dates 2014

Alex hannah dave nebraska tribute

The Redlands Palomino Company have now confirmed dates for April through to July, the band are touring in support of their fantastic new album Broken Carelessly which will be out on April 14th through Clubhouse Records – click here for more.

Saturday 19 April – Amersham
Record Store Day – Clubhouse Records @ The Record Shop Ltd, Amersham, Buckinghamshire, followed by after party at Harris & Hoole, Amersham
Acoustic sets during the day and evening
With Case Hardin, Paul McClure, The Dreaming Spires and Troubadour Rose

Friday 25 April – Penarth/Cardiff
Songwriters Circle @ All Saints Church Hall, Penarth, Cardiff
Hannah solo acoustic set
With Al Lewis and Harri Davies

Saturday 3 May – Brighton
The Palmeira, 70 to 71 Cromwell Road, Hove, East Sussex
Full band set
Line-up TBC

Sunday 4 May – London
Album launch party/late afternoon BBQ @ The Windmill, 22 Blenheim Gardens, Brixton, London
Full band set
Line-up TBC

Wednesday 7 May – Sheffield
The Greystones, Greystones Road, Sheffield
Full band set
Line-up TBC

Thursday 8 May – Leicester
The Musician, Clyde Street, Leicester
Full band set
Line-up TBC

Friday 9 May – Oxford
The Art Bar (formerly The Bullingdon), 162 Cowley Road, Oxford
Full band set with Clubhouse Records label mates Case Hardin

Saturday 10 May – Newport
Le Pub, 1 Caxton Place, Newport, South Wales
Full band set with The Rockingbirds

Sunday 29 June – Leigh-on-Sea
Leigh Folk Festival
Full band set with Trevor Moss and Hannah Lou, The Lucky Strikes, Cusack, Danny and the Champs and many more.

Friday 4 July – Newport
Le Pub, 1 Caxton Place, Newport, South Wales
Acoustic set with The Wynntown Marshalls

Friday 18/Saturday 19 July – Oxford
Truck Festival, Hill Farm, Oxfordshire
Full band set

The Redlands Palomino Company
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The Redlands Palomino Company – Broken Carelessly

The Redlands Palomino Company - Broken Carelessly

Without doubt one of the finest exponents of alt-country to come from these fair isles The Redlands Palomino Company are back with a new album Broken Carelessly which will be released through Clubhouse Records and available from 14 April 2014, the album is the bands fourth release and follows on from 2011’s Don’t Fade which was a big hit here at Beat Surrender, personally I’ve been excited for this release since hearing about it last year and I’m pleased to report the new one is every bit as good as the band’s previous outings  – in fact I’d say it just about comes out on top in a head-to-head as their best yet.

The band ‘fronted’ by wife and husband  Hannah (guitar vocals) and Alex Elton-Wall (guitar vocals) with Dan Tilbury (drums), Rain (bass) and Dave Rothon (pedal steel) recorded the album over a over a six day period in an old Methodist Chapel in the Gloucestershire countryside, with most of the tracks nailed within a couple of takes, the intimacy of the recording environment affecting the whole process and allowing the band to flow and capture the essence of their live shows – here’s Hannah an Dan Tilbury describing their experiences during the recording.

Hannah – “This was easily the most relaxed we have been making an album. The whole process was fun, and it was just a joy to play and record music with my friends. We had no external pressures, and were able to just play the way we wanted to, when we wanted to. It helped that we didn’t have an outside producer and engineers around, and we were able to capture the sound of the band in a way that we haven’t been able to before. In the week we were recording, the band were all staying at home with me and Alex, and there was a real sense of camaraderie! We felt like a proper gang! Various friends also popped by to help us out with recording and drinking here and there during the week, so it just felt like a bit of a party.”


Dan – “We wanted to capture the way the band sound when we play live – something that can often be completely lost in a ‘proper’ recording studio, with everyone playing separately and with endless overdubs – and the Chapel was the perfect place to do this. Many of the songs were completely new to us when we recorded them, and we wanted this album to capture a unique snapshot in time, and not be something that took months and months to record and that we endlessly added to and mixed and remixed over time”.

The band kick things of in style with opener In These Lines that opens out with a  build to a trademark hook and is wonderfully accented by Hannah’s vocal and the pedal steel,  track two lifts the tempo with Alex taking lead and Hannah joining him with one of my favourites up next the wonderful   Everything I’m Not that keeps up the pace but with the lead switching back to Hannah whose  voice never sounded so affecting – and with apologies to Alex it’s her lead vocals that really excel on the album, though Alex more than holds up his side of the bargain and it is of course the  switching and interplay element that makes the album so engaging  with Alex’s handling of the production making the very best of this. 

The title track Broken Carelessly is up next a song which fittingly builds the track around the horse breed at the centre of the bands name, next up the band hit the ‘country’ switch and boom-chicka-boom there’s way through Don’t Ever Let Me Down with some bittersweet pedal steel carrying the melody, up next comes a track written by the purveyor of said pedal steel with echoes of The Byrds and Alex taking the lead on Dave’s song  She Can Live Without You , the mood softens and the tempo is reigned-in to a different type of reflection on the next pair of track’s Scattered Earth and Perfect Forever reinforcing the fact the band are no one trick genre pony, in fact the next pair of tracks attest to this as we hear the band jumping from the rootsy bar-room Floorboard George with Alex on lead vocal to the albums least typical TRPC song the gorgeous Swim, here’s Hannah on the recording.

“A few days before we started the sessions I wrote a new song which I couldn’t really imagine being a Redlands song. It’s a slow and dark story about the power of a river and a fear of drowning. I strummed it acoustically to the band in the studio and asked Dan to somehow capture the tumbling roar of the river in the choruses with the drums.  It has turned out to be my favourite track on the album because it just ‘happened’ organically and I think perfectly creates an atmosphere to compliment the lyrics.”

The album ends with the excellent Band Song a track that finds the band reflecting on their musical journey;

“Oh why do I still try, why am I standing here tonight? It’s because the pedal steel still makes me want to cry”.

The song reflects back to one of their earliest recordings and live favourite  Doin’ It For the Country, in this pairing they’ve created a tour de force encore and there’s no doubt that not only are they still doing it for Neil Young, Crazy Horse and GP and they’re still doing it for me.

Pre-order now from Clubhouse

The Redlands Palomino Company – The Big Freeze

The Redlands Palomino Company
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Paul McClure – Smiling From The Floor Up


Smiling From The Floor Up is the debut solo release from Rutland based singer-songwriter Paul McClure, set for release March 3rd on Clubhouse Records, the former frontman of The Hi and Lo enlisted the help of label mates Alex and Hannah Elton- Wall (The Redlands Palomino Company) and Joe Bennett (The Dreaming Spires) for the album which was recorded and produced at Leicester’s Tiny Studios.

Employing minimal overdubs a back-to-basics approach was taken by McClure where the songs were played ‘live’ a few times and one of the takes made the final cut for the album, the methodology employed perfectly representing the essence of McClure’s songs, songs borne of experience and deeply personal are exposed by the pared back recording and revealed free of pretence – there’s no hiding from the catharsis and introspection the performances convey.

In his own words.

“This album is a collection of songs recorded without the trappings of a band or orchestra, lightly textured layers with occasional touches of colour here and there; a harmony here, a piano there, a sympathetic slide guitar draped across the shoulders of another,” explains McClure. “I didn’t want anything to dilute the effect of the song in its most honest, most vulnerable form. Nothing to hide behind or run from.”

“These songs didn’t write themselves, as they sometimes seem to do, but I did want them to speak for themselves. These songs are all very personal, there’s no fiction here, even if I occasionally had to hide the truth in a made up name or a fantasy; (changing the names to protect the innocent in some cases, the guilty don’t deserve to be named in others.) These stories are moments from my life and though it can seem hard to accept sometimes, I don’t regret a single one; at the very least I got a song out of it.”

Paul McClure – Long Gone Out of Here


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