Sound & Vision – Jon Langford

Carted to Alabama under the cloud of dark politics, a band drew a glistening straight line from punk to country to soul to grand theater. On November 8th, the day after the 2016 election, Welsh-bred, Chicago-based musician and visual artist Jon Langford1 and a crew of merry-makers and alchemists filed into the NuttHouse studio, a one-story former bank building in Sheffield, Ala. (population 9,039). The musicians from Chicago, Nashville, Los Angeles, and just over the Tennessee River bridge made the pilgrimage to a place of legend and myth, where music runs as deep as the river’s current, to see what might come of it all.

Four Lost Souls, recorded over four days, originated in 2015, 100 miles north in Nashville where Langford produced artwork for Dylan, Cash, and the Nashville Cats: A New Music City, the long-running exhibit at the Country Music Hall of Fame. Fate had it that one of those Nashville Cats, bassist and producer Norbert Putnam2, was so enamored with Langford’s paintings and piratey singing, he invited the stranger to come record in the Shoals.

A year later Langford is in that studio with many of the musicians who put the region, as well as renowned FAME Studios4 and Muscle Shoals Sound Studios, on the musical map. Among them, members of the Swampers, David Hood and Randy McCormick—world famous players who have performed on all the songs you ever loved—and next-generation, in-the-right-pocket local drummer Justin Holder. Along for the ride were Nashville’s in-demand pedal steel guitarist Pete Finney and guitarist Grant Johnson. Together they dutifully crafted a project brimming with images of killing and hope, Faulkner, the Natchez Trace, and the sea.

As word got out around town, the musicians of the Shoals stopped by to see what Putnam was up to with these Chicagoans — Jon, guitarist John Szymanski, and the electrifying singers Bethany Thomas and now-LA-based Tawny Newsome11. Tomi Lunsford, a mountain soprano from Nashville, slipped into the vocal booth to duet with Langford. The morning after his gig at Champy’s, a local watering hole, Will McFarlane parked his Harley at the front door to say hello. Five minutes later he was behind studio glass with his guitar. And five minutes after that, he was back on his bike turning the corner in a cloud of dust and exhaust.

Thus was the strange weather in the Shoals during that week in American history. Crammed between arrival and departure at the NuttHouse was a fever heat of creativity that crossed musical generations, racial lines, and the invisible barrier separating the flatlands of the upper Midwest and rolling hills of the deepest South. Even the ocean between the Delta and the dingy port city of Newport, South Wales, Jon’s hometown, evaporated out of sight.

The South is full of ghosts and they all ask unresolved questions. Nothing is settled and the music won’t sleep. Muscle Shoals itself personifies a place where America’s great cultural explosion transcends the murderous politics of race and class that stain this country from slavery and civil war to today. To tomorrow. The music speaks to the best in us, while reflecting, at times, the worst of us.

Four Lost Souls is pure Americana, not just because of where it was recorded or who played on what track, but because it is beyond the news of the day. It is a travelogue of sorts; it goes to a place where the differences between country, soul, blues, and rock-and-roll are blown aside by the warm languid breezes. The music had no time for such petty details, because in the moment, in that place, was the sound of sweet agreement.

Jon Langford – Record Store Day 7″ – Free Noisetrade EP – ‘Here Be Monsters’ Album News


Mighy Mekon, songwriter, artist, and poet Jon Langford is back with his band Skull Orchard, they have a new 7″ titled Days & Nights lined up for Record Store Day on April 19th and their album Here Be Monsters is released on April 1st, in the interim you can get your hands on a Free EP from Noisetrade that includes demo tracks from both releases and the studio version of the first single from Here Be Monsters, Mars.

Jon on Drone Warfare, Alternative Astronomy and Honky Tonk at Vice

US Tour Dates:
3/13: Austin, TX – Gingerman (SXSW)
3/15: Austin, TX – Yard Dog Gallery (SXSW)
3/21: Madison, WI – Kiki’s House of Righteous Music
3/22: Carbondale, IL – The Old Feedstore
3/23: Chicago, IL – The Hideout (Hometown Record Release Party)
4/3: Cambridge, MA – Atwoods Tavern
4/4: Brooklyn, NY – The Bell House
4/5: Rehoboth Beach, DE – Dogfish Head Brewing and Eats
4/6: Arlington, VA – IOTA Club & Cafe
4/7: Cleveland, OH – Beachland Tavern
4/8: Pittsburgh, PA – Thunderbird
4/9: Newport, KY – The Southgate House Revival
4/14: Berwyn, IL – FitzGerald’s w/ Dave Alvin
4/15-17: Chicago, IL to Portland, OR – Roots on the Rails Train Trip w/ Dave Alvin
4/18: Portland, OR – White Eagle co-headline w/ David Olney
4/19: Seattle, WA – The Stables
4/20: Vashon Island, WA – Free Acoustic show with Art at The Cone Gallery
4/21: Port Townshend, WA – The Cellar Door
5/1: New Orleans, LA – Free show at Le Mieux Gallery, Julia Street
5/17: Portland, ME – Last Church on the Left

Music / Art / Twitter

Kelly Hogan – I Like To Keep Myself In Pain


Kelly Hogan – Plant White Roses by antirecords

Kelly Hogan’s new album out on Anti Records the home of her long time cohort Neko Case is a real gem, the songs on the album were written for her by the late Vic Chesnutt, Jon Langford, The Handsome Family, Catherine Irwin, Robbie Fulks and Robyn Hitchcock amongst others, one of the highlights for me though is a Hogan original, a song written about her friend Neko Case called Golden.

NPR Tiny Desk Concert

Live at KDHX

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