Category Archives: Americana

KRIS DELMHORST · APRIL 2015 UK TOUR

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Kris Delmhorst’s album Blood Test got a highly recommended when I reviewed it last year, catch Kris on tour in the UK next month, she’ll be accompanied by Hayward Williams on guitar & vocals.

APRIL
Thu 9 Menai Bridge, Anglesey, The Victoria Hotel
Fri 10 Barton-upon-Humber, The Ropewalk
Sat 11 Newcastle, The Studio in Live Theatre
Sun 12 Kilbarchan, nr. Paisley, Kilbarchan Performing Arts Centre
Mon 13 Edinburgh, The Voodoo Rooms
Tue 14 High Wycombe, Private House Concert
Wed 15 Lewes, The Con Club
Thu 16 Plymouth, The B-Bar
Fri 17 Torquay, The Crown & Sceptre
Sat 18 Havant, Hants, Langstone Sailing Club
Sun 19 London, Green Note



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Kimmie Rhodes – Cowgirl Boudoir – March / April UK Tour Dates

Kimmie Rhodes - 'Cowgirl Boudoir' - cover (300dpi)

Labeling the sound she hoped to create ‘Cowgirl Boudoir’, Kimmie Rhodes embarked on a retro-cowgirl-hippie-chick musical experiment with fellow collaborators – quirky cool featured guest artist Johnny Goudie and producer Gabriel Rhodes – writing & singing songs that fuse traditional country sounds with influences from the 60s, 70s and 80s into a seamless blend.


Kimmie Rhodes-I Am Falling (with Johnny-Goudie)

Kimmie is touring in support of the album later this month – for more info on the album check out the excellent Three Chords & The Truth.

March
Thu 19 Belfast The Black Box, The Real Music Club
Fro 20 Limavady, N. Ireland The Roe Valley Arts and Cultural Centre
Sat 21 Naul, Ireland Séamus Ennis Cultural Centre
Sun 22 Ballybofey, Ireland Balor Arts Centre
Tue 24 Rathfriland, N. Ireland The Brontë Centre
Wed 25 Armagh, N. Ireland The Market Place Theatre
Fri 27 Bristol St. George’s double bill with Awna Teixeira
Sat 28 Leeds Seven Arts
Sun 29 Basingstoke The Forge at The Anvil
April
Wed 1 London Green Note at The Old Queen’s Head, Islington

Kimmie Rhodes (guitar (2), 2015) (photo by Christopher Durst)

Kimmie Rhodes / Facebook / Twitter

Screen Door Porch – Modern Settler



Americana as a genre means a lot of different things to a lot of different people, this album pretty much sums up what it means to me, a little rock, a dash of roll, electro-acoustic, splash of harmonica, twang, slide, improvised kick drum, blues, harmonies, a history lesson – oh an banjo, don’t forget the banjo.

The bands eponymous debut release featured on Beat Surrender back in 2010 though the follow-up release managed to fly under our radar but I’m glad their latest release Modern Settler landed safely in the inbox as it’s a thoroughly enjoyable recording.

Screen Door Porch / Facebook / Twitter

Mary Caroline – Life on Earth

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Mary Caroline’s new album Life on Earth clocks in at a svelte twenty five minutes and features eight self-penned tunes, the Canadian singer-songwriter lives in a remote trapper’s cabin, 600km from the town of Yellowknife in the Northern Territories where her day job involves working on an Animal Planet/Discovery show Ice Lake Rebels.

The recording was made during the summer in Hamilton Ontario’s converted church studio Catherine North, and supported with funding from regional art grants earned from FACTOR and NWT Arts Council, when not working the day job or recording Mary is out on the road across Canada and has played numerous festivals and also supports local projects, paying back the grants in-kind by bringing her music to children in the remote communities of the Northern Territories and organising the Tseko Celebration of Women in Music in Yellowknife.

I asked Mary about the background to a few of the songs on the album and she was happy to oblige.

“I wrote Life on Earth sort of abstractly thinking about what might go on a recording sent into space about life on earth, but not some romantic interpretation of it, but more what is left as we grow into adults and loose the idealism of our youth. But than I set it to a kind of peppy simple guitar riff for a sense of irony.

Songs of Winter I wrote while in Yellowknife. Its a song about falling in love in the dead of winter, but its just so dam cold out that you can’t really do anything about it, so you just bundle up in your cabin and wait for the frost to come off the window and the wood pile to shrink, and spring to come so you can pursue your love.

Full Moon is also a song full of northern imagery. I was hired to do a youth music workshop in a remote First Nations community in early November. We had to cross the liard river by foot, because the ice wasn’t thick enough to drive on. In fact there were still spots on the river where steam was coming up from the open water. Then on the way back at night we had to bring a riffle because there were wolves hunting in the area. It was such an intense experience that I wrote a song rooted in the events of that day.”

Mary Caroline / Facebook / Twitter

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